Play Along Piano

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verits99

Good Vibrations / Brian Wilson - Mike Love

verits99

3:45	Est. Play Time
135	Measures
	4,055Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fretless Bass	14	0	4	5	82%
Theremin	20	4	6	9	50%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fretless Bass	14	0	4	5	82%
Theremin	20	4	6	9	50%
Voice	16	0	3	13	32%
	13	0	4	11	37%
	19	16	5	10	39%
	29	2	8	8	44%
Electronic Organ	17	7	6	2	40%
Bass	3	0	0	3	38%
Electric Bass	10	0	2	2	25%
Keyboard Synthesizer	11	6	4	4	16%
	5	1	1	5	17%
Tenor Saxophone	4	1	1	3	16%

BWV 1079 Musical Offering Canon a 2 quaerendo invenietis (A = 415 Hz)

verits99

2:43	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	5	4	98%
		15	0	5	4	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	5	4	98%
		15	0	5	4	96%

BWV 893 The Well-Tempered Clavier Part II Fuga XXIV

verits99

1:15	Est. Play Time
101	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		29	0	11	6	93%
		29	0	10	4	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		29	0	11	6	93%
		29	0	10	4	94%

Chorale X from BWV 147, Herz und Mund und Tat und Leben (A = 415 Hz): adapted to four keyboards

verits99

1:46	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	0	7	3	94%
	8	0	2	4	45%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	7	3	94%
	8	2	4	45%
	16	3	4	94%
	7	1	8	45%
	13	2	5	94%
	8	1	4	45%
	16	3	6	100%
	12	1	4	45%

BWV 1080 The Art of Fugue Contrapunctus IV (A = 415 Hz)

verits99

4:36	Est. Play Time
138	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	0	8	5	87%
	21	0	7	6	91%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	8	5	87%
	21	7	6	91%
	23	9	7	92%
	23	9	6	96%

BWV 1068 Gavotte I and II

verits99

3:05	Est. Play Time
143	Measures
	1,427Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord 2	21	0	5	5	100%
	20	0	4	4	87%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord 2	21	5	5	100%
	20	4	4	87%
Harpsichord 1	18	5	5	84%
	20	5	4	100%
Harpsichord 3	10	0	5	67%
	2	0	2	25%

BWV 816 French Suite V Gigue

verits99

2:46	Est. Play Time
113	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	0	8	5	93%
		26	0	6	4	91%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	0	8	5	93%
		26	0	6	4	91%

BWV 885 The Well-Tempered Clavier Part II Fuga XVI

verits99

2:05	Est. Play Time
84	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	0	11	8	93%
		29	0	12	5	91%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	0	11	8	93%
		29	0	12	5	91%

BWV 988 Goldberg Variations: Variation IV

verits99

0:47	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	0	3	5	93%
		20	0	3	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	0	3	5	93%
		20	0	3	5	90%

BWV 988 Goldberg Variations: Variation XXVIII

verits99

1:36	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	0	9	4	89%
		35	0	10	4	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	0	9	4	89%
		35	0	10	4	71%

BWV 1080 The Art of Fugue Contrapunctus II (A = 415 Hz)

verits99

2:48	Est. Play Time
84	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	0	7	7	83%
	23	0	8	8	77%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	7	7	83%
	23	8	8	77%
	21	7	7	93%
	22	8	5	90%

BWV 988 Goldberg Variations: Variation XXVII

verits99

1:36	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	0	7	5	97%
		22	0	3	5	97%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		23	0	7	5	97%
		22	0	3	5	97%

BWV 867 The Well-Tempered Clavier Part I Fuga XXII

verits99

2:05	Est. Play Time
75	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	0	10	6	97%
		26	0	9	5	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	0	10	6	97%
		26	0	9	5	88%

BWV 890 The Well-Tempered Clavier Part II Fuga XXI

verits99

1:30	Est. Play Time
93	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	9	7	95%
		21	0	7	5	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	9	7	95%
		21	0	7	5	90%

BWV 848 The Well-Tempered Clavier Part I Praeludium III

verits99

1:01	Est. Play Time
104	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		22	3	6	4	92%
		22	3	5	4	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		22	3	6	4	92%
		22	3	5	4	98%